Showing posts with label self-publishing. Show all posts
Showing posts with label self-publishing. Show all posts

Friday, March 21, 2014

Comments on Wordy Writing from Lauryn April


Wordy Writing:

Since 2012 I’ve self-published two books, Into the Deep, and its sequel Hidden Beneath, both young adult paranormal romances. There are a number of things I learned after I finished Into the Deep. But now, as I get ready to publish my third book, I find my writing is worlds apart from where it was in 2012. In March, I will publish my third book, A Different Kind, through Phantom Owl Press. 

I’ve gained skills in marketing, cover design, as well as overall understanding of the publishing process. However, I think the place where I’ve most improved has been my writing itself. Creating stories has always come easy to me. I’d like to think the stories I’ve created over the years have been good ones, if not great ones. But, my ability to tell those stories has greatly improved.

The biggest lesson I’ve learned from self-publishing is how to remove wordy writing.

It’s hard to read through your novel and “cut the fat”. But, while it may hurt to pull out the red pen, it’s absolutely necessary. Recently I made a post on my blog, Words to Search and Destroy in your Manuscript, where I talk about specific words that when used often lead to wordy writing. In general, wordiness comes from using any words that you don’t absolutely need.

One word that isn’t on my “Search and Destroy” list is the word “that”. This word in particular is one that I’ve been aggressively removing from my next novel.

Tips to Removing Wordy Writing
1.       Take a break between finishing your novel and starting your revisions. Getting a little distance from your writing will help you see where you have problems.
2.       Pay special attention to areas that you had trouble writing. I find my writing gets wordier in the areas I apply the “butt in chair” method to. In other words, the parts I push through just to keep writing are often the wordier parts of my novel.
3.       Avoid passive writing. This is something you should be doing anyway, but I find passive writing tends to be wordier than active writing.

Here’s an example from my second book Hidden Beneath

This is the original passage from 2013.

“I loved you more than anything.” His voice was firm and unwavering.

I looked away from him as his words hit me with the weight of a wrecking ball, but he reached out and palmed my face, turning me back to him. His eyes locked on mine.

“I loved you,” he said again, and I felt the tears stream down my face. “Dammit, Ivy, I still love you.” 

The next thing I knew his lips were smashed against mine in a hard, bruising kiss. Tears were spilling from my crushed-shut eyelids, and I was kissing him back. His hand, which previously had been palming my face, was now tightly grasping my hair, and his other hand had a rough grip on my arm. It felt like I had been waiting a thousand years for that kiss, and in that moment not even the need to breathe could have pulled us apart. My hands were around Brant’s neck, and I tugged at his hair. My body was arching to reach his. I forgot about getting hurt - all I wanted was to feel him again.

This is what I would do now.

“I loved you more than anything.” His voice was firm, and unwavering.

I looked away from him as his words hit me with the weight of a wrecking ball. but He reached out, and palmed my face, and turned turning me back to him. His eyes locked on mine.

“I loved you,” he said again, and I felt the tears stream down my face. “Dammit, Ivy, I still love you.”

The next thing I knew His lips were smashed against mine in a hard, bruising kiss. Tears were spilling spilled from my crushed-shut eyelids, and I was kissing him back. His hand, which previously had been palming my face, was now One hand tightly grasping my hair, and his the other hand had a rough grip on my arm. It felt like I had I’d been waiting a thousand years for that kiss, and In that moment not even the need to breathe could have pulled us apart. My hands were twisted around Brant’s neck, and I tugged at his hair. My body was arching arched to reach his. I forgot about getting hurt - all I wanted was to feel him again.

I hope everyone found this post helpful. I think it’s important as writers to know that there’s always room to grow. Wordiness is something a lot of readers will overlook, but being able to catch it as a writer will lead to a stronger story.

Follow me on my blog, on twitter @LaurynApril, and check out my next novel, A Different Kind on Goodreads.

Friday, March 7, 2014

The Art of Cover Design (Guest Post by Jolene Perry)

We're excited to bring you a guest post from Jolene Perry. Jolene has successfully self-published as well as traditionally published dozens of contemporary romance novels under her real name and a couple of pseudonyms, and also designs her own covers. When we asked her to share a little bit of her knowledge with our followers, this is what she had to say.

So. I tried to condense all my thoughts on covers and cover design into a few bite-sized chunks...
We'll see how I did.

ONE - 
The cover is more about getting the feel of the book right than making sure the people are JUST LIKE your people. I see authors struggle all the time to find just the right couple and they compromise so many other aspects of the book for that ONE thing. Make sure that your cover shows the TONE of your book more than anything else. Show people what they have to look forward to. I think I did a good job of this in Falling - I see that cover and I know I'm going to get a fun love story. In After All, I found a girl who is JUST like my girl so I used the pic, and I've sold a MINOR fraction of After All than of Falling... (Yes, I'm working on finding a good photo for that one)
I also like to use bright colors, and it's helped me a TON. 
TWO - 
Fonts.
I have two points here -
FIRST - I'm a huge font nerd. HUGE. But just because I love a font and the font goes perfectly with my story and title and picture, doesn't mean it's going to be readable... 90% of the time someone sees your book, they're going to see a thumbnail. Keep that in mind when picking a font.
SECOND - really think about author branding with this. Jolene Perry is my real name and my font branding is mostly out of my hands b/c most of those covers were done by publishers and I had no, or very little, say. I've done a much better job w/ Mia Josephs - I use the same font a HUGE amount w/ the name Mia. And definitely always for the author name. Building recognition is huge.

THREE - 
Covers sell books. People judge books by their covers. Know your audience, look at the books that are selling well for that audience, and come up with your own version of this. Before you roll your eyes at me because I basically told you to copycat something - go look at the top 100 books in any given genre. Chances are that there will be similarities in cover design on at least half of them. Trends change. Font trends change. Picture types change. Know what's out there. So, follow that, but find a way to make yourself stand out ;-) So, see? I'm not actually telling you to copycat.

FOUR - 
Wow. I had a lot more to say on this than I thought, lol.
Finally. Your cover, more than anything else, should be designed to sell your book.
Go with your gut, but get outside help. Outside of your crit group or your online besties.
And the question isn't - How perfect for my book is this?
It should be more like - Would you pick up this book?

I have sold more copies of My Heart for Yours than any other book. We've changed that cover three times, and this is the picture that has easily sold the most copies.
AND... Those are my thoughts on covers :-D

Thanks so much for having me!!!!

I wear juvenile T-shirts, worn-out chucks, and eat too much chocolate. I write. A lot. I make up words, drink Shirley Temples, and suffocate a little without my iPod.


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